Golden Husk
Currently displayed at Espresso House Temora for viewing, to be purchased through Elyssa Storey Artist (Purchase instructions are detailed below). 210 Hoskins St Temora NSW 2666.
Artwork Details
76.5 x 76.5 cm, 4cm deep edge canvas (unframed).
Framed with an oak floating frame and ready to hang.
Medium: Impasto acrylic with impasto medium, applied with a palette knife and brush. Finished with two coats of matte polyurethane varnish.
Created with Australian-made, eco-friendly, zero VOC, and cruelty-free paints, impasto medium, and matte varnish. The canvas is 100% made from recycled plastic.
Artwork Description
"Golden Husk" was inspired by the harvest season in the Australian countryside, particularly the landscape around Temora. The glowing seed heads, golden straw, and vast skies reflect the beauty of this time of year—when the land is alive with activity. While the scene looks peaceful, it’s a subtle reminder of the long, hard days and the resilience needed to bring in the crop. The warm tones and rich textures in the painting mirror the glow of the paddocks, but also the sweat, effort, and dedication behind the harvest. This piece celebrates both the serenity and the unspoken challenges of rural life, inviting the viewer to connect with the land, the seasons, and the strength it takes to work with nature.
Purchase Instructions
This artwork can be purchased online via the "Buy Now" button. If postage isn't required, local pickup can be selected at the checkout. I will contact you to confirm pickup details and provide protective packaging for the artwork to travel home safely. Payments can be made via card in person if you do not wish to pay online, a business card can be collected at the counter with my contact details.
All of my original art and art reprints are signed with an ‘S’ logo. This logo was the Storey family brand used by my Great-Grandfather, on what is now my Grandparent's cattle farm. The farm has been in the Storey name since the mid-19th century however the brand was only in use from roughly the 1930s to the 1960s on sheep. After shearing, the brand was dipped in dye and pressed to the sheep’s hind quarter. It would stain the wool for quite some time and be used to identify the sheep if they strayed.
I have immense pride in my origin, and I love that I am able to attach a piece of family history to the art that I create. I strongly believe that when purchasing art, it is incredibly important to feel a strong sense of passion from the artist through the painting. I hope that combining my lineage with my art expresses this connection.